Re: Live from the Summit Nationals at Las Vegas
It could be the phenonmenon like what occurs when filming (videoing) an object that's turning. For instance, propellors look like they're turning backwards, sidewall letters going backwards on racecars, etc.
I seem to remember Jeff Foster posting that stage beams are not steady, but rather they pulse. Could be the difference between the pre-stage beam pulse and Toby's camera's frame per second rate? Just a guess.
More importantly, thanks Toby for all these videos. They're terrific! I don't see any decrease in quality on You Tube. Don't abandon the 'stills' either, as I like them as well.
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